Krasnoyarsk, Russian Federation
UDK 7.038.55 Инсталляция. Installation art. Installations
The article analyzes Joseph Kosuth's installation «One and Three Chairs» from 1965 (using the example of a variant from the Museum of Modern Art in New York). The concept of «visual» was chosen as the category in relation to which each of the three elements of the installation was analyzed. As a result of the analysis of the chair as a piece of furniture, visuality was presented as a physical opportunity to see, and the chair itself as a physical object. The analysis of the dictionary entry revealed the difference between virtuality as the ability to read and visuality as the ability to see a white page filled with black forms and white counterforms, which constitute an organized black-and-white unity, and the article itself as a text and as an organized image. The analysis of the chair photograph revealed visuality as the experience of seeing in a planar image of real three-dimensional objects and visuality organized by a planar black-and-white image representing the vision of dark and light spots - a dark spot is formalized as a chair and its shadow, from which we conclude that a light spot is formalized not as a white wall, but as light. And the photo of the chair is presented as an identifier of the physical and non-physical space. From which we conclude that visuality is not only a vision of the visible, but also a vision of the invisible, which is conceptualized into the following idea about the nature of art: a work of art shows the metaphysical through its physical.
visuality, Joseph Kosuth, visual art, metaphysics of art
1. Antipov, V. N., & Fazlyyakhmatov, M. G. (2018). Evaluation model of conditions for the formation of volumetric visual perception of flat images. Siberian Psychological Journal. 67, 149-171.
2. Degtyarenko, K. A., Pchelkin, D. S., Shpak, A. A., & Pimenova, N. N. (2023). The image of artificial intelligence in cinema: transformations in the period 1980-2010s. Journal of Siberian Federal University. Humanities & Social Sciences. 16(8), 1454-1470. EDN XVMNJF.
3. Zhukovsky, V. I., & Koptseva, N. P. (2004). Propositions of the theory of fine arts: textbook. Krasnoyarsk: Krasnoyarsk State University. 265. ISBN 5-7638-0494-5. EDN QXPZAZ
4. Sertakova, E. A., Leshchinskaya, N. M., Kolesnik, M. A., & Sitnikova, A. A. (2023). The journal "Mir Iskusstva" (1899-1904) as a source on the history of Russian art of the late XIX - early XX centuries. Bylye Gody. 18(4), 2025-2035. doihttps://doi.org/10.13187/bg.2023.4.2025. EDN TCWFHH.
5. Zamaraeva, Yu. S., Seredkina, N. N., Pchelkin, D. S., & Pimenova, N. N. (2023). Scientific and technological progress at the beginning of the XX century in the periodicals of the Russian Empire (journal "Zodchiy", 1902). Bylye Gody. 18(1), 390-401. doihttps://doi.org/10.13187/bg.2023.1.390. EDN SYMSSL.
6. Kistova, A. V., & Kushnareva, A. V. (2013). The creative method of Natalia Semyonova in the Krasnoyarsk ceramic school. Modern Problems of Science and Education. 2, 462. EDN RXUSYH.
7. Kistova, A. V., Pimenova, N. N., & Bukova, M. I. (2024). Art education in Krasnoyarsk at the end of the XX - beginning of the XXI centuries: educational practice. Journal of Siberian Federal University. Humanities & Social Sciences. 17(1), 137-153. EDN HAGRVV.
8. Kozlov, E. S., & Sertakova, E. A. (2021). The image of "Cosmos" in modern audiovisual culture. Digitalization. 2(2), 44-50. doihttps://doi.org/10.37993/2712-8733-2021-2-2-44-50. EDN UXJPPV.
9. Kolesnik, M. A., Leshchinskaya, N. M., & Sertakova, E. A. (2019). The image of the poet-creator in the symbolism of Gustave Moreau. Siberian Anthropological Journal. 3(4), 25-37. doihttps://doi.org/10.31804/2542-1816-2019-3-4-25-37. EDN BTGMGM.
10. Kolesnik, M. A., Sitnikova, A. A., & Andryushina, Ya. D. (2023). Artificial intelligence as a tool and co-author in the work of contemporary artists: examples of artistic practices and analysis of visual art works. Sociology of Artificial Intelligence. 4(1), 37-51. doihttps://doi.org/10.31804/2712-939X-2023-4-1-37-51. EDN UOQRVI.
11. Kolesnik, M. A., Sitnikova, A. A., Sertakova, E. A., & others. (2022). Features of the development of participatory art in the city of Krasnoyarsk (Russian Federation) at the beginning of the XXI century. Journal of Siberian Federal University. Humanities & Social Sciences. 15(6), 826-839. doihttps://doi.org/10.17516/1997-1370-0888. EDN WTCERE.
12. Koptseva, N. P., Avdeeva, Yu. N., Krupkina, K. A., & others. (2020). Methods of cultural studies. Krasnoyarsk: Siberian Federal University, Humanities Institute. 184. ISBN 978-5-7638-4350-7. EDN GEDBOV.
13. Koptseva, N. P., Bralkova, A. V., Gerasimova, A. A., & others. (2015). New art criticism on the banks of the Yenisei. Krasnoyarsk: Siberian Federal University. 340. ISBN 978-5-7638-2537-4. EDN VIQKIB.
14. Koptseva, N. P., & Ilbeykina, M. I. (2014). Visual anthropology as a relevant field of cultural studies. Humanities and Social Sciences. 2, 133-155. EDN SGQNBZ.
15. Koptseva, N. P., & Pimenova, N. N. (2020). Cultural transformations: possibilities of study. Siberian Anthropological Journal. 4(3), 36-44. doihttps://doi.org/10.31804/2542-1816-2020-4-3-36-44. EDN ENUIWR.
16. Koptseva, N. P., Seredkina, N. N., & Degtyarenko, K. A. (2023). Aesthetic transformations as the ideological basis of Soviet visual art in 1917-1922. Journal of Siberian Federal University. Humanities & Social Sciences. 16(4), 522-535. EDN NZUUTM.
17. Leshchinskaya, N. M., Kolesnik, M. A., & Omelik, A. A. (2024). Paintings by V. E. Borisov-Musatov 1898-1905: philosophical and art analysis. Journal of Siberian Federal University. Humanities & Social Sciences. 17(1), 154-166. EDN JDGQDU.
18. Leshchinskaya, N. M., Kolesnik, M. A., Sitnikova, A. A., & Sertakova, E. A. (2024). The journal "Mir Iskusstva" (1899-1904) as a source on the history of women's artistic creativity. Bylye Gody. 19(1), 353-365. doihttps://doi.org/10.13187/bg.2024.1.353. EDN POCVEA.
19. Lotman, Yu. M. (1992). About the semiosphere. Selected articles: In 3 vols. Vol. 1: Articles on semiotics and typology of culture. Tallinn: Alexandra. 479.
20. Pimenova, N. N. (2018). Modern philosophical position on the mechanisms of socio-cultural changes. Siberian Anthropological Journal. 2(2), 47-69. EDN XVLYI
21. Reznikova, K. V., Sitnikova, A. A., & Zamaraeva, Yu. S. (2019). Philosophy of art in the works of Egon Schiele. Siberian Anthropological Journal. 3(4), 38-48. doihttps://doi.org/10.31804/2542-1816-2019-3-4-38-48. EDN TYAFFZ.
22. Sergeeva, N. A., & Zamaraeva, Yu. S. (2023). Creation of new artistic associations in Soviet visual art 1917-1922. Journal of Siberian Federal University. Humanities & Social Sciences. 16(7), 1043-1061. EDN YDDUBL.
23. Sergeeva, N. A., Kistova, A. V., Ermakov, T. K., & Omelik, A. A. (2023). The artist in the periodical of the Russian Empire "Herald of Fine Arts" of the 1880s. Bylye Gody. 18(3), 1396-1408. doihttps://doi.org/10.13187/bg.2023.3.1396. EDN SJPXKD.
24. Sertakova, E. A. (2018). Philosophical foundations of modern urban anthropology. Siberian Anthropological Journal. 2(2), 70-86. EDN UWASBH.
25. Sertakova, E. A., Leshchinskaya, N. M., Kolesnik, M. A., & Sitnikova, A. A. (2023). The journal "Mir Iskusstva" (1899-1904) as a source on the history of Russian art of the late XIX - early XX centuries. Bylye Gody. 18(4), 2025-2035. doihttps://doi.org/10.13187/bg.2023.4.2025. EDN TCWFHH.
26. Sertakova, E. A., Sitnikova, A. A., & Kolesnik, M. A. (2022). Computer art of the 1960s-1980s. Sociology of Artificial Intelligence. 3(3), 69-90. doihttps://doi.org/10.31804/2712-939X-2022-3-3-69-90. EDN JUGALR.
27. Sitnikova, A. A. (2024). Features of the development of Krasnoyarsk artistic culture in the 1990s. Journal of Siberian Federal University. Humanities & Social Sciences. 17(4), 694-707. EDN HAZNPS.
28. Sitnikova, A. A. (2023). The work of the Krasnoyarsk artist Viktor Sachivko. Journal of Siberian Federal University. Humanities & Social Sciences. 16(8), 1396-1415. EDN WYDHEA.
29. Sitnikova, A. A., Leshchinskaya, N. M., Sertakova, E. A., & Kolesnik, M. A. (2023). Scientific and technological progress in cinema and photography based on Russian periodicals 1907-1917. Bylye Gody. 18(1), 420-430. doihttps://doi.org/10.13187/bg.2023.1.420. EDN RGAJPA.
30. Sitnikova, A. A., & Sertakova, E. A. (2022). The artistic image of artificial intelligence in 21st-century animation. Sociology of Artificial Intelligence. 3(2), 57-70. doihttps://doi.org/10.31804/2712-939X-2022-3-2-57-70. EDN FNLDPE.
31. Tarasova, M. V., Sitnikova, A. A., & Smolina, M. G. (2020). Laszlo Moholy-Nagy: Directions of creativity and influence on the development of 20th-century art. Siberian Anthropological Journal. 4(4), 248-268. doihttps://doi.org/10.31804/2542-1816-2020-4-4-248-268. EDN ANHNDL.
32. Shpak, A. A., Zamaraeva, Yu. S., Pimenova, N. N., & Seredkina, N. N. (2022). The journal "Niva" (1909) as a source on the history of the artistic culture of the Russian Empire. Bylye Gody. 17(4), 1976-1989. doihttps://doi.org/10.13187/bg.2022.4.1976. EDN HRICPR.
33. Koptseva, N. P., & Zhukovskiy, V. I. (2008). The Artistic Image as a Process and Result of Game Relations between a Work of Visual Art as an Object and its Spectator. Journal of Siberian Federal University. Humanities & Social Sciences. 1(2), 226-244. EDN IUDTOF.
34. Kosuth, J. (1969). Art After Philosophy. Retrieved from https://www.ubu.com/papers/kosuth_philosophy.html (Accessed December 10, 2023).
35. Reznikova, K. V., Sitnikova, A. A., & Zamaraeva, Yu. S. (2019). Three Paintings by Egon Schiele: Ideas About the Essence of Art. Journal of Siberian Federal University. Humanities & Social Sciences. 12(7), 1240-1255. doihttps://doi.org/10.17516/1997-1370-0451. EDN PCGCZV.
36. Seredkina, N. N., Kistova, A. V., & Pimenova, N. N. (2019). "The Frieze of Life" by Edvard Munch: Philosophical and Art Analysis. Journal of Siberian Federal University. Humanities & Social Sciences. 12(7), 1295-1315. doihttps://doi.org/10.17516/1997-1370-0446. EDN AQYGSD.
37. Stigter, S. (2011). How material is conceptual art? From certificate to materialization: installation practices of Joseph Kosuth's 'Glass (one and three)'. In Inside installations: theory and practice in the care of complex artworks (pp. 69-80). Amsterdam: Amsterdam University Press.
