THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA

Irina I. Vysockaya; Natalya Pimenova; Aleksandra Sitnikova

doi:10.31804/2782-540X-2023-2-3-18-26

UDC

CSCSTI

18.00

Russian Classification of Professions by Education

50.00.00

Russian Trade and Bibliographic Classification

Russian Library and Bibliographic Classification

BISAC

ART

VAK Russia

THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA

Published in Asia, America and Africa history and modernity · Pages 18–26 · Rubric: Cultural studies

DOI: https://doi.org/10.31804/2782-540X-2023-2-3-18-26

Received: 02.08.2023 Accepted: 10.09.2023 Published: 19.09.2023

Authors

Irina I. Vysockaya

Natalya Pimenova

Aleksandra Sitnikova

Irina I. Vysockaya

Sibirskiy federal'nyy universitet Russian Federation

Natalya Pimenova

Federal State Educational Institution of Higher Education "Siberian Federal University" Associate Professor of the Department of Cultural Studies and Art History of the Siberian Federal University · Russian Federation · Krasnoyarsk

Aleksandra Sitnikova

ABSTRACT

The article presents a study of the image of the family in Japanese culture and Japanese cinema. The family in Japanese culture was formed as a social and religious association, and gradually became a mechanism for relaying national traditions. But modern transformational cultural processes affect the family as an institution, and it is undergoing changes, while not abandoning the old foundations. Cinema as an art form represents the current state of the Japanese family. The film works of the recognized director Hirokazu Koreeda («Nobody knows», «Like father, like son», «Shoplifters») were chosen as the material of the study. As a result, it was revealed that the main characteristics of the image of the family in Japanese culture are the change in the gender distribution of roles in the family, the comparison of different types of families to fix the changes that have occurred, the lack or decrease in attention to children by parents, the lack of attention to single-parent families by the state and the public, the preservation of the cult of ancestors, the clash of traditional and modern views on the family, the representation of the image of the family through children's drawings

KEYWORDS

Japanese cinema, Hirokazu Koreeda, image of family in cinema, Japanese culture

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Vysockaya I. I., Pimenova N. N., Sitnikova A. A. THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA // Asia, America and Africa history and modernity. 2023. no. 3. pp. 18-26. DOI: https://doi.org/10.31804/2782-540X-2023-2-3-18-26. (Date of access 15.09.2026).

MLA

Irina I. Vysockaya, Pimenova N. N., Sitnikova A. A.. "THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA." Asia, America and Africa history and modernity 2.3 (2023): 18-26. DOI: https://doi.org/10.31804/2782-540X-2023-2-3-18-26.

APA

Vysockaya I. I., Pimenova N. N., Sitnikova A. A. (2023). THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA. Asia, America and Africa history and modernity, 2(3), 18-26. https://doi.org/10.31804/2782-540X-2023-2-3-18-26

Chicago

Irina I. Vysockaya, Pimenova N. N., Sitnikova A. A.. "THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA." Asia, America and Africa history and modernity 2, no. 3 (2023): 18-26. https://doi.org/10.31804/2782-540X-2023-2-3-18-26.

WIKI

{{cite journal | author = Vysockaya I. I., Pimenova N. N., Sitnikova A. A. | title = THE IMAGE OF THE FAMILY IN JAPANESE CULTURE IN THE FILMS OF HIROKAZU KOREEDA | journal = Asia, America and Africa history and modernity | year = 2023 | volume = 2 | issue = 3 | pages = 18-26 | doi = 10.31804/2782-540X-2023-2-3-18-26 }}

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