1. Andreev A. I. (2013). Auteurism, art house and art-cinema: origins of the concept of “auteur cinema” in the foreign film studies tradition. State Public Historical Library, 102–103, 168–194 [in Russian].

2. Bazin A. (1972). Does cinema remain an art? (M. B. Yampolsky, trans.). In A. Bazin, What is cinema? Selected articles (I. V. Belenky, comp., pp. 76–92). Moscow: Iskusstvo [in Russian].

3. Zhukovsky V. I., Koptseva N. P. (2004). Propositions of the theory of fine art: a study guide. Krasnoyarsk: Krasnoyarsk State University, 265 [in Russian].

4. Zhukovsky V. I. (2011). Theory of fine art. Saint Petersburg: Aleteya, 496 [in Russian].

5. Zhurkova D. A., Yakovenko A. A. (2012). Musicians on the contemporary screen. Science of Television, 9, 231–244 [in Russian].

6. Zvegintseva I. A. (2019). Terra Incognita cinema. Iskusstvo kino, 5, 45–53 [in Russian].

7. Zvegintseva I. A. (2018). Small screen and big ambitions: Australian TV series in the cultural context of the country. Vestnik VGIK, 3(37), 117–127 [in Russian].

8. Sarris A. (2010). Notes on the auteur theory (A. Zaitseva, trans.). In Film theories: from Eisenstein to Tarkovsky (pp. 215–230). Moscow: Iskusstvo kino [in Russian].

9. Truffaut F. (1988). A certain tendency of the French cinema (trans. from French). In French cinema (pp. 123–135). Moscow: Iskusstvo [in Russian].

10. Tugushi S. A. (2014). Auteur cinema as a phenomenon of 20th-century culture. Vestnik of Moscow State University of Culture and Arts, 3(59), 215–222 [in Russian].

11. Fomenko S. A., Fomenko M. V., Ugriumova M. V. (2023). On the history of world cinema: the evolution of the concept of authorship in film art in the 1950s–2000s. Contemporary scientific thought, 5, 133–139 [in Russian].

12. Demiray B. G. (2014). Authorship in cinema: Author & reader. CINEJ Cinema Journal, 4(1), 19.

13. Sarris A. (1962). Notes on the auteur theory in 1962. Film Culture, (27), 1–8.