The image of Chinese society in the art of Jia Zhangke
Abstract and keywords
Abstract (English):
China is an inexhaustible resource for both artists and researchers in various fields of science. Since the 1980s, the country has been in a process of complex and ambiguous transformation: collectivism with roots much deeper than the communist doctrines of the 20th century has faced integration into a culture of individualism. This spectrum of creative and destructive processes, which coexist at different levels of society, is reflected in the work of sixth-generation directors, particularly in the cinema of Jia Zhangke. The study reveals and describes the image of Chinese society in Jia Zhangke's works: the main meaning-making characteristics of the films (aesthetic and contextual) are recorded and the corresponding cinematic methods of the author are analyzed.

Keywords:
China, globalization, image of Chinese society, film studies, sixth generation of directors
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